Johnny and the Dead is a book about a boy who can see and talk to the deceased folks in his local graveyard. Terry Pratchett uses this short kids’ novel to deal with the importance for living people to remember the dead (and the dead people to forget the living). The basic plot is that the village council wants to put in a new condo development on the graveyard and the dead people tell Johnny to stop them. Johnny gets his friends together and (this is where the book really shines) do not organize a protest or anything big and outside the scope of what a bunch of 11-year-olds could conceivably do, they just ask questions about the people who are in the graveyard.
Now, it’s Terry Pratchett writing this, so the characters are funny, but the situations never really are. Even though it’s a bit dated (it’s from the ’90s), it’s a pretty excellent story for Remembrance Day, especially since it talks about how sad it is that soldiers go off and die (instead of doing some bullshit celebratory thing about their noble sacrifices or whatever). Also, it’s the middle book of the Johnny Maxwell trilogy, but I haven’t read the first one and did not feel like I was missing anything.
Supergod is the story a British scientist tells of how the world was destroyed by nations putting their trust in hugely powerful beings who can fly. It’s an interesting read for the ideas and the pictures of superbeings reshaping the world.
There aren’t really any characters to get attached to apart from the narrator, who basically takes the place of Uncle Warren telling creepy tales of mushroom sex and soviet robots. Also, because it’s a Warren Ellis comic, of course the British space program plays into the story.
It’s a different take on superhumans than something like Black Summer; a much bigger picture story, and one that highlights how badly people would really deal with that kind of thing.
Disclosure: I loved the movie version of P.D. James’ The Children of Men and without having read the book made the assumption that they would be very similar. Because I am strangely naïve about movie adaptations I guess? I’d have thought I was a cynic in these matters by now, whatever. The book in this case is very different from the movie.
The best way to think of it is to consider the two stories to be parallel tales about the same world. In this world, there have been no babies born for decades. Humanity has inexplicably gone sterile. Here, the book and movie part ways.
In the book the protagonist Theo is in his fifties and is a history professor with no real students anymore since even the youngest people are over 25. The youngest people are known as Omegas and they terrify the aging populace, since they were brought up doted on and knowing they would be the final humans ever. Theo is the cousin to Xan, the despotic ruler of England. A bumbling bunch of fools ask him to talk to the ruler to make some sort of change. Against his better judgment, he does so.
The book is about that relationship between Theo and Xan, who are both not-young men. Theo has all this guilt from accidentally killing the daughter he and his ex-wife once had, which plays a big part. The bumbling fools are trying to be terrorists to get England changed, but they aren’t effective. There is talk about the Isle of Man, where the prisoners are exiled to, but the book doesn’t take us there. The climax in the book takes place in a woodshed near Wales. It’s very different.
I like the movie version better but I love the idea that both stories happened, with different participants and results. If more stories from the childless future intrigue you, the book is worth your time. If you mainly loved Children of Men for that amazing Steadicam shot, there’s not a lot for you in the book.
I made the mistake of reading the last third of Patrick Ness’ A Monster Calls out in a park on a sunny day. This was a mistake because the book is so sad I was sitting there sniffling and holding back tears in the midst of happy people in the sun looking at boats and such. If you read it on a rainy day you will feel much more in tune with the world.
A Monster Calls is about a monster who comes and visits Conor, who’s been having terrible nightmares. The monster tells him the monster will tell Conor three stories and then Conor will have to tell the monster one, and in this way the monster will help the boy.
Put like that it kind of sounds like a cool little fable kind of thing. But it’s actually a story about how death and love and cancer and everything in the universe is just not fair at all. It isn’t a fantasy story; it’s a coping with reality story.
It is so good.
Apocalypse Suite is a time travel, get the team back together to fight something that’s gone horribly wrong, high adventure style comic that I enjoyed immensely. It’s Gerard Way’s first time writing a comic and it doesn’t really show.
The Umbrella Academy super team was once a bunch of orphan kids brought together to fight terrible threats (including an animated Eiffel Tower). This story takes place when their mentor has died and they regroup after scattering to the winds (or the moon) for years. Then one member comes back from the future and the team member who doesn’t do anything special feels slighted and it all spins out of control. It’s a great story, illustrated superbly by Gabriel Ba. Highly recommended.
Sebastian O is a Grant Morrison and Steve Yeowell comic about a dandy killer in a high-tech Victorian England. He’s been in jail and then busts out to get revenge on those who put him there. It’s not a bad little comic, and there is a bit of a weird Morrisony twist to the ending about how the world can be the way it is. I quite appreciated the timeline at the beginning of the book that gave me a sense of what Sebastian was capable of. It was a good way of getting a lot of backstory in so the story itself could be stylish and quickly moving.
Captain Swing and the Electrical Pirates of Cinderry Island is the story of a London constable in 1830 who tries to solve the murder of a fellow Peeler (or Bobby as the police are sometimes known) and gets mixed up with pirates in a flying electrical ship.
Written by Warren Ellis, it’s filled with cursing and scientific emancipatory exultation. Raulo Caceres’ art is dark and bloody. I liked it a lot. One of the cool things they do is have pages with the pirate captain discoursing in prose (over schematic engravings) explaining all sorts of history and background. It’s more effective than putting it in as expository dialogue, and enhances the notion of this being a document of secret history.
I haven’t read enough of Doktor Sleepless, but the two books feel connected. I’m unsure how deep that connection is.