Alastair Reynolds’ Revenger is his latest space opera and it is not very good. I often pick up one of his books thinking, “Why haven’t I read one of these in a while?” I was 2% into this one when I remembered.
It’s all tell and no show. Reynolds has characters that are cardboard standups engaging in cliche actions that anyone who’s ever read or watched better science fiction will see coming a million leagues away. In some of his previous space operas I know there’ve been enough good bits that I could deal with the plodding language, but none of that is in Revenger.
I can’t recommend such a formulaic and blah space opera, not when there’s such good stuff happening in the field these days. The Stars are Legion is a zillion times better than this, as is Ann Leckie’s Imperial Radch trilogy (though that has more of a military sf aspect).
The reason I went back to Kameron Hurley’s Bel Dame Apocrypha stories a while back was ’cause I was getting antsy waiting for our library to get copies of her new space opera novel The Stars are Legion. Now I have read it and it was just as gooey and intricate as I’d hoped.
Legion is a group of biological worldships surrounding an artifical sun. There are many layers to these worldships and ruling dynasties for each one. Zan is a soldier who begins the novel being put back together after an attack on a neighbouring world. She has no memory, but a strong attraction to Jayd who tells her that everything is tense but fine. Even the half-memory Zan has of murdering a baby is part of the plan, apparently.
And hoo boy are there plans in this story. Because Zan has no memory she’s piecing together what it’s all about along with the reader (in among the spray-on space-suits and fighter attack runs mounted on spacefaring slugbeasts). After a few chapters we also start following Jayd, who’s working on some crazy manipulative scheme against the ruler of their own worldship. She tells Zan she’s in on the plan but Zan doesn’t remember it and might fuck it all up. Other people have guesses about the plans but they’re keeping Zan in the dark to use her as a weapon (’cause Zan is a brutally effective soldier).
Then as the schemes are unfolding, boom boom boom Zan is killed (in a sudden but inevitable betrayal) and her body is recycled. Spoiler alert: Zan isn’t actually dead and then begins the quest up from the centre of the world back to the surface where all the political machinations we’re just getting used to are happening. This is where I really loved the book because it takes the simple set-up and then shows how big a world is and how surface-based civil wars are kind of just the equivalent of White House cabinet shuffles to get ignored by the people who don’t live that life. It takes it a bit more towards a fantasy-novel quest narrative as Zan comes closer to reclaiming her memories, but by the end we do get back to the worldships hurtling through space, don’t worry.
I tried to explain this book while I was in the middle of it and it was difficult; I got immersed in the details of womb-swapping and blood-drinking bonding rituals and cephalopod guns and not knowing exactly where it was going made it hard to see the big picture. Once you’re done though, it works really well, and what appeared to be chaotic was merely complex.
If you like big scifi stories and can handle technology being mostly biological (which does make for a lot of mucous throughout) I heartily recommend The Stars are Legion.