books review: the hidden family, the clan corporate, the merchants’ war

It seems fitting to review the second third and fourth books in Charles Stross’ Merchant Princes series together because the flaws they have as stand-alone books make sense if you look at them as chapters in a longer story.

At the end of book 1 in the series we were up to date with Miriam Beckstein, tech journalist who is also a countess in an alternate universe where the geography is shared with Earth but technology and society has spun off on a very different track. Miriam and her clan are people who can hop between that world and our own (it’s set in the early 00’s U.S. homeland security paranoia).

In The Hidden Family Miriam has learned about a third world which is where there are more world walkers who are trying to destabilize the Clan’s power base in the medieval world. This third world is kind of steampunkish and hugely politically repressive. Miriam is trying to create a new economic base for her extended family in that new world.

In The Clan Corporate basically nothing happens. It’s an intensely frustrating book, to Miriam as well, because she’s basically just locked up while her family figures out how to sell her to the royal family to squirt out worldwalking babies. We also meet a DEA agent who’s dealing with the aftermath of one of the medieval spies turning on the Clan’s drug smuggling operation.

By The Merchants’ War the Clan is plunged into civil war and Miriam is on the run in the steampunky world and we’re learning just how genre distinctions between Science Fiction and Fantasy are kind of dumb.

I really like the story this series is telling. People are clever and behave like real clever people might. I just hate how it’s broken down into these separate volumes so you need to have recap time and setup time before the grand climax of the book, which in books 3 and 4 don’t even really happen. It’s the kind of series that’s crying out for a one-volume edition with some of the redundant bits edited out, since nothing is standing at all on its own. (You may remember that I had the same issue with Dance With Dragons. Too much like catching up with the characters and not enough story-structure for my taste.) But I’m looking forward to finishing the series because Stross writes great, thought-provoking stuff and the fact that it’s getting less and less like Zelazny and more like, well, Stross makes me very happy.