My reading list for this Fantasy & Science Fiction course (I’ll update it with links to the reviews of the books as I read them):
- Anderson, M.T. (2002). Feed. Somerville, MA: Candlewick.
- Babbitt, Natalie (1987). Fantasy and the Classic Hero. School Library Journal 25-29.
- Balay, Anne (2010). Zilpha keatley Snyder’s The Truth About Stone Hollow and the Genre of Time-Slip Fantasy. Children’s Literature Association Quarterly, (35) 2, 131-143.
- Black, Holly (2002). Tithe: A Modern Faerie Tale. New York: Simon Pulse.
- Card, Orson Scott (1985). Ender’s Game. New York: Tor.
- Collins, Suzanne (2008). The Hunger Games. New York: Scholastic Press.
- Cooper, Susan (1973). The Dark is Rising. New York: Atheneum.
- Farmer, Nancy (2002). The House of the Scorpion. New York: Atheneum.
- Farmer, Nancy (2004). The Sea of Trolls. New York: Atheneum Books for Young Readers.
- Gaiman, Neil (2008). The Graveyard Book. New York: HarperCollins.
- Goodman, Alison (2003). Singing the Dogstar Blues. New York: Viking.
- Heinlein, Robert (1977). Have Spacesuit Will Travel. New York: Ballantine. (originally published 1958).
- Jacques, Brian (1986). Redwall. New York: Philomel Books.
- Laetz, Brian & Joshua J. Johnston (2008). What is Fantasy? Philosophy and Literature, 32(1), 161-172.
- LeGuin, Ursula K. (1968). A Wizard of Earthsea. New York: Bantam Books.
- L’Engle, Madeleine (1962). A Wrinkle in Time. New York: Farrar, Straus & Giroux.
- Lowry, Lois (1993). Giver. Boston: Houghton Mifflin.
- Lewis, C.S. (1994). The Lion the Witch and the Wardrobe. New York: HarperTrophy. (originally published 1950).
- McKinley, Robin (1984). The Hero and the Crown. New York: Greenwillow Books.
- Nodleman, Perry & Mavis Reimer. (2003). The Repertoire of Theory, The Pleasures of Children’s Literature (3rd ed.) (pp.218-250). Boston: Allyn and Bacon.
- O’Brien, Robert C. (1975). Z for Zachariah. New York: Atheneum.
- Paolini, Christopher (2003). Eragon. New York: Alfred A. Knopf.
- Pearson, Mary (2008). The Adoration of Jenna Fox. New York: Henry Holt.
- Pullman, Philip (1996). The Golden Compass. New York: Alfred A. Knopf.
- Riordan, Rick (2005). The Lightning Thief. New York: Hyperion Books for Children.
- Rowling, J.K. (1998). Harry Potter and the Sorcerer’s Stone. New York: Arthur A. Levine Books.
- Shan, Darren (2001). A Living Nightmare. Boston: Little Brown.
- Slade, Arthur (2009). The Hunchback Assignments. New York: Wendy Lamb Books.
- Sleator, William (1984). Interstellar Pig. New York: Dutton.
- Thompson, Deborah L. (2001). Deconstructing Harry: Casting a Critical Eye on the Witches and Wizards of Hogwarts. In S. Lehr (Ed.), Beauty Brains and Brawn: The Construction of Gender in Children’s Literature (pp.42-50). Portsmouth, NH: Heinemann.
- Vande Velde, Vivian (1999). Never Trust a Dead Man. San Diego: Harcourt.
- Westerfeld, Scott (2009). Leviathan. New York: Simon Pulse.
There’s some stuff on there I’ve read before, but not for ages and ages. I remember Interstellar Pig so fondly, and the Graveyard Book is awesome. This is going to be a fun term.
I read Robert Heinlein’s Have Spacesuit, Will Travel for my SF class. It’s weird how 1950s it feels (even as it namedrops brands like Goodyear and GE). The kid (who I think is way younger than he’s supposed to be because he talks with this really juvenile idea of adulthood) gets abducted by aliens because he’s out wearing his spacesuit he won in a soap jingle contest. It’s the kind of old SF where we have a Moon base and use slide rules. Which is cool and all for me, as a study of SF, but there’s no way I could recommend a book like this to a kid with a straight face today. The past that this was written in is so different that that would be the weirdness in the story.
Heinlein’s ideas of justice and what’s good and right come shining through especially in terms of what a man should be doing (smashing open doors and alien heads, learning hard sciences and being a bit belligerent).
Some people insist that ‘mediocre’ is better than ‘best.’ They delight in clipping wings because they themselves can’t fly.
One of the parts of that philosophy that I enjoy the hell out of is the complete denigration of people with narrow worldviews. Right off the hop the narrator is referring to “creeps who wouldn’t consider leaving Earth.” But the hero also has a very simple assumption that the way a white male “who can always get what he wants” sees the world is the way a human sees the world.
It was interesting and I’m glad I read it, but there’s way better stuff out there.
I’m in another online course in the fall (North American fall, which I have to specify sometimes being on the other side of the planet and all). This one is about doing Reader Advisory stuff about Science Fiction and Fantasy for YA readers. The first books on our schedule (our prof sent out the list a bit early so everyone in Irene’s path can settle in with books for school) are Have Spacesuit Will Travel by Robert Heinlein and The Lion, the Witch and the Wardrobe.