Simon Morden’s Equations of Life is a pretty good Gibson-esque near future SF-noir book. Samuil Petrovich is a PhD student in London after Armageddon (which was not religious in nature, just a global catastrophe that sunk Japan, rained poison and generally made the world suck). When the story starts he interferes with a kidnapping and then things spiral into quantum computing, riots and eloquent gangsters threatening clueless American programmers. It’s a quick moving book and Petrovich is a very competent protagonist, who rides luck and resources he doesn’t explain till late in the book.
The thing I liked least was Petrovich’s cursing in Russian. It seemed manufactured and didn’t fit the rhythms of the rest of his dialogue. I kept on picturing the author asking his Russian friends for really vulgar curses and then consulting the list whenever he needed to make Petrovich look tough. Which is fair enough I guess. It just brought me out of it.
But generally it was a good little book. I enjoyed how Petrovich had a very weak heart, so all of his Russian cursing and bad-assness was not paired with any real physical impressiveness.
I read The Great Railway Bazaar long after reading Paul Theroux’s book about revisiting his journey thirty years later. I liked the revisiting book better, possibly because the society Theroux was writing to in the 2000s is more like the society I think of myself a part of.
The parts I liked were the parts about the trains themselves. I too am a lover of trains and riding on them and could gladly let riding a train be the entirety of a vacation. I also appreciated the Vietnam chapters because this was written so close to the war and things felt weird and on edge there. But this book had more than just riding on trains. It had a lot of grand statements by a white guy about the cultures he was passing through. I can see a lot of similarity to myself there too, and, well, it was kind of ugly.
Theorux makes all these sweeping statements that seem to have no compassion for any of his subjects. I didn’t get that feeling from his book as an older man. Maybe I’ve just heard enough of what people who look like me have to say about travelling through Asia. And maybe that’s why I liked the Vietnam sections; his compassionless comments were directed at Americans and other foreigners instead of the people whose homes he was cruising through.
Subduction is a book about a young doctor banished to an island full of elderly people who won’t abandon it just because earthquakes threaten it. It’s an interesting story and has art by LJC Shimoda that’s beautiful, but doesn’t really add much to the tale being told. There are three young people on the island and they get involved in a weird little relationship triangle while the doctor is told stories about everyone who lives there. I liked the framing of these stories well enough, but the whole book felt like it was trying very hard to be a Haruki Murakami novel. The big reveals in the ending were a bit too melodramatic and silly for my taste, but if you can swallow them the whole thing isn’t too bad. There’s a melancholy feeling about this dying island that Shimoda conveyed very well.
David Mitchell’s novel The Thousand Autumns of Jacob de Zoet is about the Dutch in Nagasaki at the end of the 18th century. Jacob is a clerk who’s there to make his fortune so he can go back home to marry. Things don’t work out as he’d hoped and he has to become much better at politics than he was on arrival.
Mitchell splits up the narrative between a few different viewpoint characters in the book, which gives us not just the colonial perspective on what’s going on. The most troublesome part of the book for me was the nefarious practices going on in the mountain abbey. While the rest of the book felt like a more-restrained part of The Baroque Cycle, the abbey rumours were exceedingly pulpy and over the top. It made for a weird tone, since I wasn’t sure if the overly lurid doings were supposed to be taken seriously or if they were being overdone as a statement about exoticization/orientalism or if they were just weird.
In the end it was a satisfying story, but not as impressive as something like number9dream or Cloud Atlas.
Onward Towards Our Noble Deaths is the story of a group of Japanese soldiers in World War 2 who are stationed on the South Pacific island of New Britain in 1943. There’s no one character that’s the hero, just a bunch of poor saps who have malaria, malnutrition and get eaten by alligators. It’s bleak as hell.
The characters are drawn in this cartoony style while the backgrounds and animals are very detailed, which is an interesting effect. I feel it put me in their shoes as the rookies got slapped for no reason, or as they decided they needed to eat their fill before going on their suicide mission. This kind of manga is a bit different from what the kids these days are all about, but this was a really good comic.
Goliath is a fitting conclusion to Scott Westerfeld’s Leviathan trilogy. While Leviathan and Behemoth both referred to Darwinist creations in their titles, Goliath is an electrical super-weapon designed by Nikola Tesla to end the Great War.
The story follows Alek and Deryn as they ride the airship Leviathan over Siberia to Japan then California, Mexico and New York. The plot in this one was a little bit less urgent and more episodic. Alek is desperately trying to find a way to end the war, but can only really find a role in being an assistant to Tesla, while Deryn’s disguise as a boy is the big thing at risk for her in the book. It relied a bit more on meeting real people from history than the previous books as well.
But the climax was thrilling and fit the story perfectly, there were giant fighting bears (sadly not in the climax) and the thing ends happily. Good steampunk; great story.
365 Samurai and a Few Bowls of Rice is a fat little book by J.P. Kalonji that took practically no time to read. That’s because each page is a single panel and probably 90% of them are wordless. You don’t need a lot of words when your story is about a swordsman wearing a beast’s hide who’s on a quest to kill 365 samurai so he can discover the meaning of life.
The book is full of people being startled at their sudden demise and leaping silhouettes and blood in the snow. It’s a beautiful story of moments in black and white, and by the end it has the feeling of a parable. A bleak, filled-with-death parable of enlightenment.