According to an interview in The Paris Review The Eye of the Heron was the first of Ursula K Le Guin’s science fiction novels that she felt was doing something radical, politically.
It’s a story of two communities on a colony world, the City and the Town. The City was the first wave of colonists, mostly criminals, few women and strict notions of hierarchy. The Town was made up of peace-loving anarchists who were causing trouble back on earth. Guess which of these groups is the one I was rooting for!
The plot starts when a scouting party returns to the town to say they found a great spot for a new settlement. The Town people talk to the City people to say what they’d like to do but they are accused of rebellion and leaders are imprisoned. The rest of the book is about negotiation and resistance through talking and letting that which does not matter truly slide. It’s quite good as a depiction of how Gandhi-style challenging of hierarchy and power can work. The reeds not the oak and such.
Octavia Butler wrote these three books I read in a one volume collection called Lilith’s Brood. They’re sort of generational novels about humans who’ve been rescued by aliens after we destroyed most life on Earth.
In Dawn we follow Lilith as she’s awoken by the aliens on their ship and taught about what’s happened and what the aliens want them to do. See, the aliens want to incorporate humans into their genome (they’re biological collectors) and they want to put the humans back on Earth in a few carefully chosen areas so they can make them into something else. They’re totally fascinated by cancer, which allows the aliens to do all sorts of cool new things. Also the aliens have three genders including one that basically is there to manipulate DNA. The aliens want the humans to cooperate with them and choose Lilith to be their intermediary. By the end of the book she’s got the remaining humans ready to be rereleased on Earth, though she’s hated as a species traitor.
Adulthood Rites is about Lilith’s son and how he tries to get the rebel humans on Earth to accept their alien patrons. The humans who hybridize with aliens get to be practically immortal and have alien hybrid babies, while the ones who resist have all been sterilized and will grow sick and die. It’s kind of brutal. By the end of this book most of the resisters are sent to Mars where they can have children without interference from the aliens.
Then in Imago the protagonist is the first of the intermediary gender alien human hybrids that’s ever been born to a human mother who happens to be Lilith (families by this point usually have two human and two alien parents). This person is hated and feared and is desperate to find humans it can have sex with. By the end it does.
What I loved about the books was that they didn’t take the perspective of the human resisters. It’s always about the people who are adapting and accommodating themselves to the aliens, which is very interesting and different.
These books are weird because they’re pretty much all about the drive to procreate. Once the aliens get involved, people find the touch of their human lovers gross if they don’t have an alien with them. It was all very interesting but I didn’t quite get why everyone within minutes is pairing off and trying to repopulate the planet. It’s like there aren’t any other concerns that anyone has in these books beyond their bodily security and fucking. To me that’s weird, but that’s why I read science fiction.
I have friends who really enjoy Patrick O’Brian’s Aubrey/Maturin books. After reading the first one, Master and Commander, I’m sorry to say I don’t understand the devotion. Maybe it’s like how Star Trek is for me, where what happens on screen/page is understood as only a shorthand for the coolness we don’t actually see but understand somehow.
Jack Aubrey is the Master and Commander of a little ship. He gets a doctor, Stephen Maturin, onboard and they go off having adventures attacking French and Spanish ships. I think part of what I dislike stems from the first impressions of them both being petty assholes, one stamping along badly to music and the other elbowing him for making the concert less enjoyable for everyone around him, and then suddenly they’re best friends. It’s like introducing your hero as being the jerk who’s talking on his cell phone through the movie. Sure he might be enjoying it, but he’s also a jerk.
I also have issues with the naviness of everything. All of that military hierarchy and Aubrey’s desire to climb within it don’t make him an appealing character to me. I feel similarly when I read some of the Miles Vorkosigan books, but those, to me, are far more fun.
And there’s all the sailing terminology which never gets explained. I’m all over that in science fiction because no one knows exactly what you’re talking about, since the writer is making a lot of it up. O’Brian isn’t making up tacking and rigging, just talking about it like of course we understand how sailing works because only idiot landsmen wouldn’t.
So yeah, I guess this series just isn’t for me. I’ll stick with spaceships and characters I don’t want to punch in the face.