Walkaway is the latest novel by Cory Doctorow. It’s a utopian tale of people who, because of ubiquitous 3d printing technology (that can produce food, drugs, shelter, clothing and whatever else out of raw material feedstock) drop out of the default society that has no place for them apart from working terrible jobs to try and become one of the zotta-rich (since the 1% is now giga-beyond mega-rich).
The story follows a bunch of different walkaways, starting with three who make the decision after a communist party. One of those three is the daughter of a zotta, which fuels most of the plot. Otherwise it’s about how a post-scarcity society based on walking away from the ratrace could work. It’s hugely utopian and I really liked it, even when default society was sending the troops in to destroy these techno hippies.
I have always wanted to live in something like walkaway. Owning nothing I didn’t mind getting stolen and working on things to work on them, not because I need a paycheque to live.
- The marketing material stressed how it’s his first Adult novel in years (after doing a run of YA work), but the main difference between this and something like Little Brother is that this has sex scenes. Which are fine, but whatever. It still felt like a YA book and a big part of that is that until the last quarter of the book everyone we see walking away are people’s kids or hipsters or disconnected from the world scientists. No one walks away from their kids, or brings them with them. It feels very adolescent not to deal with the responsibilities you’re walking away from. Or maybe that’s just something I notice more now that I’m more of a boring grownup. The book feels like it’s telling me if I wanted to walk away I should have done it before now. So that’s kind of depressing, to have a novel show you the society you want and say you’re too late for it. I guess that’s just what aging is for though.
The Ocean At The End of The Lane is Neil Gaiman’s latest book for adults, but it reminded me much more of Coraline or The Graveyard Book than American Gods.
Part of that is because of its small scale. There’s an author whose father has died and on his visit home for the funeral he stops by a neighbour’s farm. This prompts recollection of the story of the opal miner who was their lodger when he was seven, which is a story he’d forgotten. The story involves a creature giving people money and seducing his father so that he will never be able to get help.
I liked the story, it was beautiful and Gaimany. I kind of feel bad for saying it but I’d hoped for something more substantial.
I do not have kids. I don’t have plans to parent any time soon. I am happy my job does not require me to be actually responsible for the long-term development of children. But I have friends with kids, and one of them recommended Alfie Kohn’s Unconditional Parenting to all his friends with toddlers as a way to look at discipline and the kinds of things people should be looking for rather than blind obedience from their spawn.
The first half of the book looks at the whole notion of reward and punishment as both being bad because they rely on the notion that parents do not love their kids unconditionally. That when the kid is bad and is punished by withdrawing love, or when doing something good means she’s showered with affection it changes the way a developing mind thinks of the world. Kohn is looking at that “sticker generation” phenomenon of rewards for every little thing and saying that doesn’t teach kids to think about what others actually want (just like a forced apology is no apology).
The second half deals with what parents can do instead. It’s explicitly anti-behaviourist, in that Kohn’s thesis is you shouldn’t train a kid the way you train a pet. There are bits about observing what a kid does and asking questions rather than just saying “Great job!” Taking the kid’s perspective into account and working with it to get things done, that sort of stuff that might be hard to do in the middle of a rushed morning but that is at least a bit reflective on the whole process of child-rearing.
It’s not a step by step to raising kids differently, but it’s an interesting book of ideals.
I have a couple of friends who are getting their education degrees right now and one of them asked if I’d read any of these Sir Cumference books. I hadn’t, but now I have.
Sir Cumference and the Viking’s Map is a story that goes over the basics of the Cartesian plane. There are two kids who get a map that’s supposed to lead to treasure and they have to figure out how the coordinate system works, while being chased by enemies.
I like the concept but thought there weren’t enough plausible mistakes in it. They just read the clues and knew what the negative numbers meant and that you’re supposed to read the X axis first. There are probably sound pedagogical reasons for that, but it made it feel overly simplistic as a story. It felt too obviously like a lesson and not like a story you could happen to learn something from – for my taste at least.
Now I’m looking for more math/story books to see if I can find some I really like and will let you know if I find any.
Johnny and the Dead is a book about a boy who can see and talk to the deceased folks in his local graveyard. Terry Pratchett uses this short kids’ novel to deal with the importance for living people to remember the dead (and the dead people to forget the living). The basic plot is that the village council wants to put in a new condo development on the graveyard and the dead people tell Johnny to stop them. Johnny gets his friends together and (this is where the book really shines) do not organize a protest or anything big and outside the scope of what a bunch of 11-year-olds could conceivably do, they just ask questions about the people who are in the graveyard.
Now, it’s Terry Pratchett writing this, so the characters are funny, but the situations never really are. Even though it’s a bit dated (it’s from the ’90s), it’s a pretty excellent story for Remembrance Day, especially since it talks about how sad it is that soldiers go off and die (instead of doing some bullshit celebratory thing about their noble sacrifices or whatever). Also, it’s the middle book of the Johnny Maxwell trilogy, but I haven’t read the first one and did not feel like I was missing anything.
I think I liked Legends of Zita the Spacegirl even more than the first book. And I liked the first one a lot.
Legends has Zita dealing with the tedium of fame. When she finds a robot who can take her place during all the autograph signings and such it sounds great. Then the robot takes her place on a mission that will let Zita go home again. Zita has to find new allies and get her life back.
The book has Zita dealing with awesome new characters and setting up seeds of connection for the future books. She’s clever and heroic and even though she’s out of her depth she doesn’t lose her head. It is a bit more explicitly a part of an ongoing series than the first was, but Hatke is doing a great job making it work on its own as well. Very recommended for the middle school crowd.
Hope Larson kicked ass in her comics adaptation of Madeline L’Engle’s A Wrinkle in Time. I reviewed the book last year, so I won’t dwell on the story because Larson doesn’t deviate too much from it.
She drew it in a timeless kind of style, with rotary phones, but not expressly a period piece, which I think worked well. It is an old-fashioned sort of story. I appreciated how subtle the evilness of the evil in the story was drawn. And by that I mean that Charles gets spirally eyes and sharper expressions when he falls under IT’s sway, but he doesn’t become monstrous looking. Even the darkness and the red-eyed man were pretty subdued (unlike in Faith Erin Hicks’ excellent review of A Wrinkle in Time). The only thing that got the full-on icky feeling was IT, which is suitably jiggly and veiny and gross. I also loved the multiple speech bubbles from Aunt Beast, and Mrs Whatsit and Mrs Who were both suitably jolly in human form, and Mrs Whatsit in her angelic form looked so completely different the question of what to call her made perfect sense.
I was kind of sad there was no Punch of Love!! in the book but otherwise it was great. I’m looking forward to our library getting it so I can put it in people’s hands. I think it’ll be a good gateway comic.