Jeff VanderMeer’s Southern Reach trilogy is about a weird area on the forgotten coast in a future with nameless bureaucracies instead of specific governments. With all the namelessness what is named is important. In the first book, Annihilation the names were given to the specifics of the environment the biologist was witnessing. In Authority we go with the replacement director into the bureaucracy that sent the expeditions in the first book. By the third book, Acceptance, we’re discovering the depths of what came before and putting names to the weirdnesses.
While each book has delved into the mystery of Area X, the characters are the reason to keep reading. I found that Acceptance, because it had worked up to four viewpoint characters in three timelines, was a bit less drag-me-along I need to finish this last night than the first two. They were all really good, but if you want to stop after the first I think that’d be okay too.
I wasn’t sure what my reading life would be like after my kid was born (a little less than 4 weeks ago now). So far, I’ve been getting through things all right, though the dead time when your job is simply holding a screaming grub trying to let it be quiet again isn’t as conducive to in-depth concentration as I’d prefer. If I could listen to audiobooks I’m sure that’d work a bit better, but someone would always be distracting me. In any case, huzzah for ebooks that let me turn bages by tapping something that’s always lying flat where I put it.
Weirdo is about a British cold case investigator in 2003 looking into a witchcraft-connected murder from the 1980s. The story jumps between the two timelines so we see these teenagers’ lives in a tourist town get disrupted in the buildup to the big crime while we watch the modern investigators try to unravel what actually happened. It’s not too bad.
I came across Cathi Unsworth as an author in a list of “women writing noir” which I was very interested in, since noir fiction is so male-dominated. Weirdo, however doesn’t feel like a noir book. It’s a fine mystery, but didn’t have the je ne sais quoi I was hoping for. Maybe it was just the witchcraft angle (which is handled well) that put it more in the realm of Carrie or the X-Files for me.
Breakout was my first (non-graphic) novel I’ve read starring the badass criminal Parker. I’ve read some Parker stories in Darwyn Cooke’s great graphic adaptations, but never one of the Richard Stark (Donald Westlake) originals. This is what I imagine the James Patterson machines/Lee Childs of the world are wishing they were writing.
Parker is a badass (I may have mentioned this already). The book opens with a heist going bad and Parker being arrested. He immediately starts making a plan to break out of jail, but he needs a crew. So he makes one, but to get one of the people he needs he has to agree to a job later, which leads to… well a plot that just keeps on ticking over. Even if things don’t feel uber-realistic they feel very appropriate for the story. The sentences are simple and the action is clear, never super subtle, but it’s just somehow so much better than an Alex Cross story.
If you like crime stories, you should really give one of these a try (and the Darwyn Cooke comic adaptations are also great).
Charlie Jane Anders’ debut novel, All the Birds in the Sky is great. The main characters start off as a couple of weird kids, one who talks to birds and another who builds a two-second time machine, and the story is about how they, well, interact is a clinical word, but it’s an appropriate one. Each of them embodies a different way of looking at the world off-kilterly, one through nature-magic and the other through mad-science.
It’s really good, but don’t expect it to feel realistic. For the first third of the book I was unsure why this wasn’t marketed as a more science-fictional Eleanor & Park. As kids there’s an assassin sent to deal with them but he’s not allowed to directly kill minors so he becomes their guidance counsellor and becomes really well-liked in that role. Then there’s a time jump to adulthood and the fate of the world starts to become an issue (and it loses some of that YA romance feeling). Later in the book it feels much more like The Magicians, Mr. Penumbra’s 24-Hour Bookstore, Makers or Seveneves.
One issue might be its optimism in the face of the end of the world, like there’s going to be an escape valve that we’ll actually all be okay. I think it walked the line well, but your mileage may vary.
Alastair Reynolds’ Revenger is his latest space opera and it is not very good. I often pick up one of his books thinking, “Why haven’t I read one of these in a while?” I was 2% into this one when I remembered.
It’s all tell and no show. Reynolds has characters that are cardboard standups engaging in cliche actions that anyone who’s ever read or watched better science fiction will see coming a million leagues away. In some of his previous space operas I know there’ve been enough good bits that I could deal with the plodding language, but none of that is in Revenger.
I can’t recommend such a formulaic and blah space opera, not when there’s such good stuff happening in the field these days. The Stars are Legion is a zillion times better than this, as is Ann Leckie’s Imperial Radch trilogy (though that has more of a military sf aspect).
Ego is the Enemy is a self-help book by Ryan Holiday. He takes inspiration from stoicism and business-people and artists to show how the problems facing the reader are all about ego and thinking as people we deserve anything in this life.
I read it because I’m passingly interested in the Stoics, especially in how they’re being brought back today, but this book is kind of an illustration of what happens when un-deep thinkers get a hold of ancient thoughts. I didn’t disagree with a lot of what he said, but it was very obvious this is a writer who has only had well-off white dude problems. Just accepting things and taking your licks is fine for people who are supported by the system that wants them to succeed (eg well-off white dudes in capitalism) but terrible advice for people who are getting trampled by the status quo.
This is a book designed to stave off the revolution, not change the world.