Reading a Samuel R. Delany book is something I do very slowly. I’ve learned it’s necessary to really think about what’s on the page to appreciate his work. I don’t know if I got that when I first read Dhalgren a decade ago, but I’ve got it down now.
Flight From Nevèrÿon is Delany’s third and final sword & sorcery book. There are three parts to the book. The first is about a young smuggler who collects stories of Gorgik the Liberator. He has a sexual encounter with a man who might be Gorgik’s companion. He meets more people who might be Gorgik or know Gorgik and all of them disappoint as new versions of stories get recreated in the smuggler’s mind. It’s very much a story about shifting perception. Then there’s the Mummer’s Tale, which is also about making up stories and performing them and the ways the subjects of those stories are represented.
But the big thing about this book is the story of Nevèrÿon mixed with the story of AIDS in New York in the early 1980s and the story of creating this story. There’s a plague in Nevèrÿon and a plague in New York and no one knows what is happening. The numbered sections fragment everything into this multifaceted beast of a story that seems like it could have no possible ending. It’s very different from most sword & sorcery.
I’d have to think much more carefully about it to be able to do the book justice in my own analysis/response, but for now I’ll just say it does reward slow reading. If you have the time, it’s a great book about power and sex and story.