book review: the demon trapper’s daughter

I read Jana Oliver’s The Demon Trapper’s Daughter for our teen book club’s Paranormal Creatures session because I hadn’t really read much in the Demons and Angels subset of YA Urban Fantasy (I am sighing at myself for using these marketing pigeonholes, just so you know).

The story follows Riley, a 17-year-old Atlanta girl who is an apprentice demon trapper, following in the family trade. Usually apprentices deal with tiny vandals and thieving demons (grade 1 demons), but there are far more powerful ones out there, the machinations of which she gets caught up in. She’s a resourceful active likable heroine, even as she has a lot to learn about her chosen profession.

The setting of the book was interesting. It’s 2018 Atlanta and demons and angels are very out in the open, making nuisances of themselves/being aloof and inscrutable respectively. It’s kind of weird metaphysically because the angels and demons are tied very very firmly to a pop-Roman Catholic kind of worldview that’s treated as almost scientifically accurate (a lot of the plot rests on the nature of Holy Water, which is mass-produced and certified and taxed specially), yet the pagans are also becoming a stronger voting-bloc in Georgia. There are also necromancers who can reanimate corpses as servants for a year after their deaths.

The economy has been spiralling downwards, which gives the economic incentive to the characters. There’s conflict over the taxes and paperwork you have to fill out as a demon trapper doing things the right way. Also, I appreciate that these are demon trappers not demon hunters. Demon hunters are the Vatican big-firepower badasses who get the (wildly inaccurate) TV shows made about them. The demon trappers aren’t dilettantes, or supernatural navy SEALs, but working stiffs trying to control the supernatural pest population, and dealing with paying rent.

Now that makes it sound very Ghostbusters, and to a large extent it is, but it’s also got its requisite love-triangle between Riley and the gruff young man who’s like a brother to her and the delicate apprentice who sets her heart aflutter. There are misreadings of character motives that are annoying in their desire to keep the triangle going. Also, because it’s the first book of a series, there’s no real resolution at the end of the book (though there is a lot of denouement from the final set-piece).

I liked it better than the bits of Cassandra Clare’s angel books I’ve read, and will be recommending it to fans of her work (and of Buffy).

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