Akata Witch is Nnedi Okorafor’s novel set in contemporary small-town Nigeria. It was nominated for a 2011 Andre Norton Award for Young Adult Science Fiction and Fantasy Book (one of the Nebula Awards).
Sunny, the young heroine, is an albino girl with a couple of brothers who’ve moved around a lot in their lifetimes. They’ve lived in the US and visited Europe but now they’re back in Nigeria. Where Sunny learns she’s a Leopard-person.
Leopard people are people in tune with magic and spirits and their true faces. Most leopard people are brought up by parents who are leopard people, but there are also some who are free agents, which is what happens to Sunny (her parents are Lambs – the equivalent of Muggles). As soon as she learns what she is, she’s bound to secrecy about it by her new Leopard peers and teachers.
It’s a good book, but way more interesting for the characters and setting than the plot. There’s a serial killer in their area and Sunny and her friends have to put an end to his nefariousness, but that only really becomes important in the last sixth of the book. Most of the book is about Sunny learning about this strange new world she’s found herself a part of. There’s a soccer match, and they watch a juju fight between experienced warriors, and they undergo a bunch of trials in which the protagonists could have died, but the difference in the stakes between those things never really come through. Even though Sunny is shocked at what the adults could have let happen, it’s hard to be really pulled into what turns into the big conflict. Too much time is spent with Sunny wanting things explained to her, but the rest of the characters feel it’s better to keep her (and the reader) in the dark.
But Sunny is a great character. The worldbuilding (of both the fantastical world and mundane Nigeria) is excellent. I loved the different languages that were used and how the cultures were differentiated. I loved that leopard people are supposed to shun worldly goods and power, but some of them don’t, but everyone has to deal with each other anyway. The politics around everything are nicely gray.
I’d gladly recommend the book for anyone who likes urban fantasy type things, but wants to see some characters and cultures that aren’t already filling the bookshelves.
The Wee Free Men isn’t the best title for Terry Pratchett’s excellent book about a girl, Tiffany Aching, who becomes a witch-hero.
Like The Amazing Maurice and His Educated Rodents this is an excellent younger readers-focused book set in the Discworld but kind of off to the side somewhere. It has less to do with storybook tropes, and more with analysis of what a witch actually does.
Basically Tiffany Aching is a ten-year-old badass through her careful paying of attention to things and when her little brother (who she doesn’t really like) is kidnapped by otherworldly creatures she goes off to save him because who can wait for the “real witches” to show up? She’s got help from a toad (a bit) and the titular Wee Free Men, who are pictsies that fight and steal and cuss. They’re kind of awesome and stuff, but it bugs me that the book is named after the assistants, rather than the hero. I guess there are a lot of them, and they may have intimidated Sir Pratchett.
I almost didn’t reread The Graveyard Book for this SF librarianship class. I already knew I loved this Neil Gaiman book, so maybe I could spend my time better.
There is no better way to spend your time than reading about Nobody Owens, especially if you’re thinking about change and life and growing up and the future.
The story starts off with a toddling baby’s family having just been murdered. A man with a knife is climbing the stairs to kill the baby. Some people get squeamish about this being a kids’ book at this point. The baby toddles off up the street and heads into the graveyard where a family of ghosts takes him in and Silas undertakes to be the boy’s guardian. They hide him in the graveyard and the murderer’s mind is muddled and there you have it.
Now the book can begin.
It’s done in a series of short accounts of Nobody Owens’ life. There are ghouls and witches and a tutor who makes terrible soup, and Bod learns history from the people who were actually there (it’s very idiosyncratic). There’s a girl who thinks he’s her imaginary friend and there are bullies at school and police and a bunch of murderous men with something in common who’re looking for him and it’s all so good.
This is a book of atmosphere, of creepiness and funniness and all that good stuff Gaiman brings to everything he does. It’s written for kids and doesn’t need to talk down to them to do it. And I dare you to suggest a better coming of age and heading out into the world than in the end when Nobody leaves the graveyard.
It’s so fucking good. There’s a reason I give this one as gifts to all and sundry.