I love Ben Templesmith’s work with Warren Ellis on Fell, and his art is really cool in 30 Days of Night (even if I wasn’t a huge fan of the story). Wormwood, Gentleman Corpse sells me on Templesmith as a writer (well, this and his Twitter feed).
In Birds, Bees Blood and Beer we meet Wormwood and his clockwork genital-less companion. An ex-girlfriend of Worm’s is supposed to be guarding a portal between realms and stuff keeps on sneaking its tentacly way through and erupting out of people’s bodies. Wormwood has to get things sorted out to keep his beer supply and the rest of reality intact the way he prefers it.
I love Templesmith’s art. It’s got this rough, yet digital nature to it that a lot of people try to imitate, but man, he’s just good. And then i loved the characters. Because Wormwood is possessing a corpse, terrible things can happen to the body with little serious trauma to the character (he gets his head blown off and his body ripped in half in this volume). I love that kind of posthuman type stuff, even when it’s dressed up in magickal garb instead of nerd-rapture accoutrements.
Lots of blood and cussing and strippers so probably not a book destined for the shelves of younger readers, but it works really well for tough-talking neo-noir magicky stuff (for my money this is similar to and better than Sandman Slim)
Awakening is a detective story that looks like it’s going to be a zombie story. There are people on the street being gutted and chewed on; there’s a crazy woman who swears Cline chemicals is behind it all; there’s a private detective who left the police force after disbelieving that his partner was a terrible person. Okay, that last bit isn’t a traditional trope of zombie stories, but still.
I wasn’t a big fan of the story. It moved very slowly and kept throwing itself around in time without a clear purpose. There were these interjections of the detective’s notes that didn’t add anything to the story, just recapped what we already knew. And the story didn’t get very far in this book (which is an in-character frustration as well).
The art though, the art was great. It has this vaguely photo-realistic mixed with rough as hell woodcuts and silhouettes and the whole thing could have been etched onto the rusted hull of a ship. I could look at this book all day.
It was okay. I wouldn’t strongly recommend it, unless you’re a fan of Ben Templesmith’s art (which this is reminiscent of).